- ξέρει κανείς γερμανικά ;
04/14/2009
The Bard in Berlin
Shakespeare's Sonnets Debut in Drag
By Christine Wahl in Berlin
It's been 400 years since William Shakespeare published his "Sonnets"
and now they are getting the Robert Wilson treatment in Berlin. The
renowned American theater director's cross-dressing version of "Sonette"
debuted on Easter Sunday at the Berliner Ensemble, the theater made
famous by Bertolt Brecht.
The 154 sonnets that Shakespeare published in 1609 are regarded as
the archetype for love poems. The first sonnets are addressed to an
Adonis-like young man, the Fair Youth, while the later ones are written
for the sexually appealing Dark Lady. The Rival Poet is another
character, who is depicted as a competitor for both fame and patronage.
The themes range from love and sex to beauty, politics and morality.
Wilson has selected 24 sonnets for his version and created a highly stylized design for each one, with lavish costumes, huge hair-dos and his trademark lighting and puppet-like choreography. The Texan director pays no head to literary theory or chronology in his version of the sonnets, but rather uses them to as a starting point for his typically surreal dreamlike worlds.
The avant-garde maestro uses Shakespearean-like gender role reversal
in the cast but in his "Sonette" the women play men as well as men
playing women. The 86-year-old grand dame of Berlin theater, Inge
Keller, sports a gray pageboy wig and white face paint to play the bard
himself. Jürgen Holtz, another doyen of Berlin theater, plays Queen
Elizabeth I, while Sylvie Rohrer portrays the young poet.
The music is
provided by pop star Rufus Wainwright
who, unsurprisingly, has declared the sonnets timeless and whose
musical accompaniment ranges from medieval Minnesang to the very
contemporary electric guitar.
Wainwright has professed his reverence for both Brecht and the
composer Kurt Weill, and there are echoes of their "Threepenny Opera" in
some of his music for "Sonette." This is fitting perhaps, given that
Wilson's version of the Brecht/Weill masterpiece is currently sold out
for the foreseeable future at the Berliner Ensemble.
It looks like the "Sonette" could repeat that success for Wilson in
Berlin. On Sunday the audience reacted to almost every single sonnet
with rapturous applause and the evening was brought to a close by
Wainwright himself coming out on stage to sing two of the sonnets before
the final bow. At three hours the play may be over long but for fans of
Wainwright and Wilson "all's well that ends well."
link
spiegel Online
spiegel Online
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